Showing posts with label 2011 RELEASES. Show all posts
Showing posts with label 2011 RELEASES. Show all posts

59th NATIONAL FILM AWARDS: Onir, Vidya Balan, Ra.One and more

Photograph: Pedro Ugarte/AFP/Getty Images
It was an exciting and momentous day for the films and crews nominated to the National Film Awards 2011. Our heartiest congratulations to all winners!

Best Hindi Film: I AM (Onir)
Best Feature Films (2 awards): Deool and Byari
Best Director: Gurvinder Singh for Anhe Ghorey Da Daan 
Best Bengali Film: Ranjana Ami Aar Ashbo Na
Best Marathi Film: Shaala
Best Dialogue: Deool
Best Actress: Vidya Balan, The Dirty Picture
Best Actor: Girish Kulkarni for Deool

Best Screenplay: Nitesh Tiwari, Vijay Maurya, Vikas Bahl and Rajesh Bajaj for Chillar Party
Best Editing: Praveen KL for Aranyaa Kandam
Award for Best Popular Film Providing Wholesome Entertainment: Azhagar Samiyin Kuthirai
Best Music Direction: Neel Dutt for Ranjana Ami Ar Ashbo Na
Best Lyrics: Amitabh Bhattacharya for I AM
Best Choreography: Bosco & Caeser for "Señorita" from Zindagi Na Milegi Dobara
Best Special Effects: Ra.One
Best Children’s Film: Chillar Party
Best Child Artistes: Partho Gupte for Stanley Ka Dabba and Sanath Menon, Irrfan Khan, Rohan Grover, Chinmai Chandranshuh, Naman Jain, Vishesh Tiwari, Vedant Desai, Aarav Khanna, and Divji Handa for Chillar Party
Best Supporting Actress: Leishangthem Tonthoingambi Devi for Phijigee Mani
Best Supporting Actor: Appu Kutty for Azhagar Samiyin Kuthirai 
Special Jury Mention: Anjan Dutta for Ranjana Ami Aar Ashbo Na
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DON 2 - THE CHASE CONTINUES: Shah Rukh is Back!

 
DON 2: The Chase Continues review by Diana (Italian Cinema Hindi Blog)

Rating: *****

Have you been on holiday and have totally relaxed? Have you been enjoying the seasonal festive banquets, oblivious to whatever is happening in other parts of the world? Or have you returned to normal daily life, becoming absorbed in the same everyday boring duties? 

In case you did not know: THE KING IS BACK. 

Drop it all and take the first plane to Mumbai, London or any other place in the civilized world (Fiji, for example!) And without stopping for food, sleep or even calling your mother to tell her you have landed safely, head to the nearest cinema to watch Don 2: The Chase Continues. You will never be the same again.




PLOT
Don (Shah Rukh Khan, who else?) has been ruling the Asian underworld for five years. By becoming increasingly powerful,  he has ended up challenging drug traffickers who operate in the European market and has therefore become an inconvenient competitor for them. He has less friends than foes and there are many enemies who wish him dead. He therefore decides to surrender to the police in Malaysia, not without offering an agreement to his old acquaintances, "wild cat" Roma (Priyanka Chopra) and inspector Malik (Om Puri). Don is hence arrested but once he finds himself in jail, he eventually meets Vardhaan (Boman Irani).

REVIEW
In 2006, Farhan Akthar took up a challenge against living legend Amitabh Bachchan by directing a remake of Don (1978). Don: the Chase Begins Again was born. The ending was different from the original and the main characters were revamped. The locations, soundtrack and general look of the film became modern and refined.  

Shah Rukh Khan, having reached the utmost peak of his charm, returned to the screen successfully starring as a villain. The King of Bollywood was perfect for the part and he skillfully reinvented the role and made it fully his own. Five long years afterwards, a sequel seemed inevitable given that Shah Rukh Khan absolutely shines in the role of Don. The storyline's possibilities are endless, the opportunity was there to be seized. Additionally, SRK and Farhan Akhtar have raging fun together (see it for yourself by watching both Shah Rukh and Farhan Akhtar interviewing each other on The Times of India website). 

Don 2 follows in the same style as Don: The Chase Begins Again and does not disappoint at all. Greater action, a fast pace, surprising and spectacular special effects. The film is an Indian blockbuster that is closer to what we are used to watching in Western cinema, even though Bollywood, of course, has never had anything to envy. With Don 2, however, even the die-hard fan of action-movies "Made in the USA" will be seduced. The movie's feel is very cosmopolitan, but, fortunately, lasting over two hours, the film will present a special screening at the 62 th edition of the Berlin International Film Festival.The most refined palates, that of the bloodthirsty Hindi cinema, do not feel betrayed. The plot is intriguing, the direction is in the hands of one of the "boys" most stylish and talented on the square (by Farhan!), The protagonist is one of those that leave their mark. Don 2 is already a legend. Stone-cold audiences and wallflowers should refrain from watching. Everyone else... HAVE FUN!



Positive points: 
- Don, sporting wild long hair, kicks and punches better than a jujitsu champion, wearing a uber-cool cream coloured linen jacket.
- Don wearing an orange uniform in prison dominates a handful of shots, erasing decades of cinema by  becoming the most unrepentant, brazen and sexy quintessential bandit ever to have graced the screen.
- Don, and his dangerously swaggering walk, his new-dandy look (the leather jacket worn under the coat will might make sensitive souls lose a few hours of sleep), walking the streets of Berlin totally free.
- Don, cigarette in hand, voluptuously surrounded by a cloud of smoke throwing a smug glance at the mirror. 
- Don, the irresistibly seductive and elusive criminal. Don and the sexy villainous look in his eye. Don and his vitriolic wisecracks. Don: ruthless, sardonic, arrogant, über-cool, elegantly self-controlled, at times becoming suddenly angry and impetuous, burning ice. D-O-N!
Warning: Impressionable young girls are adviced to handle with caution.
- Shah Rukh Khan, who, shortly before the sixth minute, relieves the pain and frustration of all his Italian fans repaying their devotion with a few simple words: "Italian restaurant... you know spaghetti bolognese, a glass of red wine... What? Don't you like Italian food? What a shame..."
- The D initial of Don, tattooed on Shah Rukh Khan's arm, which is, among other things, protected by copyright
- Hrithik Roshan appears in the film during a delicious cameo. It is only a few minutes but is truly tasty. 
- The song Zara Dil ko Thaam Lo and its Making Of.


Negative points:
Negative points? Hahahahahahaha! 

TRIVIA- The film's official website is highly interactive. You may even register and participate as an agent aiming to capture Don.- Don 2 is the first sequel in SRK's career. For Farhan Akhtar it has implied a return to directing after a five year absence. He had not experimented anymore behind the camera ever since he had filmed Don: The Chase Begins Again.- Don 2 was created in 3D with the help of Chuck Comisky, who has already participated as technical staff in Avatar and Sanctum.- Many of the phrases uttered by Don, in the first film, have become popular and gained cult status. One of these: "Capturing Don is not difficult, it is impossible", is already a catchphrase.
 During the promotion of the sequel, a set of videos under the title "Don Says" have been released, featuring the best lines from Don. My favorite? "Who says miracles do not exist Take a close look at me."  Don Says videos.
- To the delight of fans and marketing gadget lovers, producers have also planned the release of a comic book, Don: The Origin, which unveils Don's background as well as a video game for Playstation 3 and the Android platform.
- For a taste of the beautiful soundtrack, head to the following links: Hai ye Maya, Mujhko Pehchaanlo and Dushman Mera Don 2.
- To enjoy the scenic shot where SRK is launched from the roof of the Park Inn Hotel at Alexanderplatz in Berlin, click here.

Visit the Don 2 official website
Purchase the Don 2 soundtrack
Read about Don 2 in Wikipedia
Download Don 2: The Game Lite for Apple devices
Play with Don 2 on Facebook
Follow Don 2 on Facebook and Twitter



DON 2 
Starring: Shahrukh Khan, Priyanka Chopra, Lara Dutta, Kunal Kapoor, Boman Irani, Om Puri, Aly KhanJabar, Sahil Shroff, Florian Lukas, Special Appearance - Hrithik Roshan 
Written by Farhan Akhtar, Ameet Shah, Amrish Mehta
Directed by Farhan Akhtar 
Produced by Farhan Akhtar, Ritesh Sidhwani and Shahrukh Khan
Music by Shankar Ehsaan Loy
Lyrics Javed Akhtar
Choreography by Vaibhavi Merchant 
Distributed by Reliance EntertainmentYear 2011

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BOL Review: Immersed in Lollywood

BOL review by Diana (Italian Cinema Hindi Blog)


Rating: ****

Bol allows us to immerse ourselves in Lollywood (Pakistani cinema has not been spared the suffix borrowed from Hollywood, taking the first letter of the capital city, Lahore, which is the main stage of the Pakistani film industry).

Zainab (Humaima Malik) is in prison, having been convicted of murder. Before she is executed she requests to be able to tell her story. She is the eldest of five daughters of a very modest family in Lahore. Her father, Hakim Sahib (Manzar Sehbai), is the sole breadwinner, whereas the family's women remain confined within their home without being given the opportunity to study or to become independent, thereby becoming a financial burden. When the family finally sees the arrival of a much-desired male heir, the midwife confides in Hakim and reveals that the baby is a hermaphrodite.



A central theme in Bol is sexuality. In a conservative and repressive society, sexuality is seen as a taboo which often results in sexual phobias, morbid, violent or abusive behavior.
 
Hakim Sahib lives in a backward society. He acts in strict accordance to his beliefs, in defense of his dignity and integrity. His principles, however, lead him to incur in unacceptable behavior that has dramatic results on his family.
 
Hakim's character is highly intriguing and interesting. He is a man who loves his children and this is a fact that becomes clear during the second half of the film, during which the plot moves in crescendo. Once Hakim has stained his hands with the most terrible crime, without any hesitation or remorse, he proceeds to make amendments to his faith in order to accept a pact that is even worse.
 
It is the love of a parent who cannot love, a most dangerous and destructive type of love.

Shoaib Mansoor highlights with talent, intelligence and depth of analysis, the damage caused by ignorance and religious intolerance. It is an intense and brilliant film. It is a hymn to freedom.

Positive points:
- The main characters' acting. The best among them is the excellent Sehbai Manza, Humaima Malik, who has a beautiful and expressive face, as well as Shafqat Cheema.

- The dialogue between Hakim and Meena: "There is no other man to take care of them," says the old man.
"And here there is no other woman," says Meena, a prostitute who is the only source of income in a family consisting only of  men.

- The idea that a young woman can develop a modern and independent approach to life as well as an assertive personality despite having been raised in a repressive atmosphere.

Negative points:
- Sudhish Kamath, in his review (September 3, 2011, published in The Hindu), writes: "Despite its failings (in its first five minutes and the last five), it's a brave voice from Pakistan that deserves to be heard."
It is true, the film is so good that it is a pity that its beginning and the ending, which have a weaker script, are not up to the mark. Bol is not flawless, but it is a film that can be rated well above average.
TRIVIA
- Shoaib Mansoor, directed the  award-winning film Khuda Kay Liye. About Bol he has said:
“Having been so blessed in life, I often think of the things that I should be grateful for. The list always seems to be never ending, but invariably it ends at one thing… that I was born a Man. Nothing in the world scares me more than the thought of being born a woman or a eunuch in a country like Pakistan, where obscurantism has deep roots. It is very unfortunate that we make tall claims, full of pride, about the rights of woman granted by our religion and yet when I look around in underdeveloped Muslim countries in general and Pakistan in particular, I find things totally the opposite. Tragically, our interpretation and application of religion seem to begin and end with woman. Leave the five per cent urban educated elite aside, women seem to be the playground (battleground) where we practise a medieval form of religion.”
Read the full article.

- In Pakistan, Atif Aslam is a famous pop star. He has also sung in several Bollywood films, such as Ajab Prem Ki Ghazab Kahani , and even an American film directed by Ramin Bahrani, Man Push Cart, which had its world premiere in Venice in 2005 and won a FIPRESCI Critic's Award at the London Film Festival 2005. This is his debut as an actor.
For Bol, he has written and performed Aaj Bol Do and Hona Tha Pyaar .
 
- The film has set a new box-office record in Pakistan and has become the most watched film within its first week of release, surpassing the previous success of My Name is Khan .
BOL

Starring:
Zainab - Humaima Malik
Hakim Sahib - Manzar Sehbai
Mustafa - Atif Aslam
Meena - Iman Ali
Ayesha - Mahir Khan
Chowdhary - Shafqat Cheema
Suraiya - Zaib Rehman
Saifi - Amr Kashmiri

Written and directed by Shoaib Mansoor

Produced by Shoman Productions

Music by Shoaib Mansoor, Atif Aslam, Sarmad Ghafoor and Sajjad Ali

Distributed by Geo Films and Eros International Ltd.

Year of release 2011

The official website of the film.

BOL review by Diana (Italian Cinema Hindi Blog)
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RA.ONE: The Next VFX Generation - Review



Shah Rukh Khan's dream film is finally out after much expectation this Diwali 2011.

The story of Prateek, a young boy who loves to play video games and how one of these games is brought to life is a concept that, according to director Anubhav Sinha, was born six years back when he watched a commercial that featured two children using a remote control on a human being. The original idea and Shah Rukh's dream of making a film that would cross all boundaries through the bold use of VFX resulted in developing a script about a superhero that, as Khan has explained, "saves mankind from Ra.One's (a new era Raavan) torment".

Ra.One has mainly created buzz prior to its release not only thanks to its all star cast and star cameos (Priyanka Chopra, Sanjay Dutt and none other than the legendary Rajnikanth) but also because it features visual effects and stunts that are absolutely new to Indian cinema and is an ambitious project that has seen huge collaboration between Indian and international teams. A visible example to the audience is that of the Ra.One soundtrack, which was composed by Vishal-Shekhar and includes the participation of internationally acclaimed singer Akon for two of its songs, "Chammak Chalo" and "Criminal", in accordance with a sporadic crossover musical trend in Hindi films.





The marketing of Ra.One  has set a record as the "longest promotion in Bollywood history", having started as early as December 2010! One of the key elements in promoting the film has been keeping Arjun Rampal's avatar under tight wraps. The villain's skeletal look was only to be discovered late in promotions and this did create quite some expectation...


Part of the promotional strategies also included launching a Playstation 'G.One'  game based on the film and featuring original dubbing by the movie's actors. Apart from the Playstation game, a social game application named Ra.One Genesis was also launched and has encountered unprecedented success. All sorts of  collectibles have also been developed in accordance with the image of the film: G.One coffee mugs, T-shirts, watches, laptop skins, comics, video cameras and a collectible doll (similar to the Ghajini statuette, launched in 2009 by Aamir Khan).

Ra.One is the story of a father, Shekhar Subramaniam (Shah Rukh Khan), an un-herolike and Mr.Beany character who works as a graphics specialist in a video-game firm. Shekhar and his young wife, Sonia (Kareena Kapoor), have a son: Prateek (Armaan Verma). Prateek  admires villains and therefore his father creates a highly futuristic video game in which the villain, named Ra.One, is more powerful than the game's good guy and also has a mind of its own. Prateek bites the bait and excitedly begins to play with Ra.One, oblivious to what is to come next: Ra.One comes to life in this dimension and threatens to kill Prateek and destroy everything in its path. Shekhar consequently brings to life his game's good guy: G-One (also played by a blue-eyed Shah Rukh Khan) to destroy evil. The film stunts and special-effects its way through the story that antagonizes both forces.



The effects will have you exclaiming "Wow!", heck, even the trailer had me exclaiming the same. Supernatural stunts, special effects and fellow action-movie inspired scenes set an electrifying tone. Technologically and novelty-wise it is undoubtful that Ra.One has what it takes to have viewers flock to the cinema. It bedazzles the audience with visuals and more visuals that are complex, modern and fiery, served at a very decent rhythm, particularly in the film's first half. The story is however no classic nor does it drive down a point of wisdom or a larger than life plot. Once the video effects are surpassed in the next decade or so, Ra.One risks not having the power of endearment generated by a graphically simpler Robot or Krrish. As an action film, Ra.One remains however a highly commendable incursion into a modern-day visual and promotional department, bringing expectations several notches up in India for films to come.



An action hero story this certainly is. However, as much as I want to believe the "hero with a heart" quote from the promotions, I have to stop and wonder... I sincerely remember feeling more emotional while watching Superman in the 80s (with sensibly less VFX) feel a quiet love for Lois Lane. Indian cinema had all the keys to bring in the necessary amount of emotion into the film but for some reason has not. As entertaining as Shah Rukh's presence can be and as pleasant as Kareena Kapoor is to watch on screen, I personally find the lack of emotions in the film a serious error, particularly coming from a trademark Indian film.

The story and game theme should be able to successfully make a mark among the gaming generation of youngsters. There is however an element that personally failed to engage me and was at odds (in my opinion) with what was promised in the promotional campaign: the film does have its good dose of below the belt, regionalist or even sexist humour, some of it even served by Armaan Verma (the little boy character!).  Prateek is also a boy who is more worried by appearing cool than by being kind to others. All of the above to my judgement would not be suitable for a full-fledged "family film"...

Be aware that the second half of the film may seem as if a plot that was nicely being built up started unabashedly fizzling out. Having handsome Arjun Rampal successfully incarnate the evil forces was a good choice, but letting Prateek's mom also become Ra.One at a given point did seem way too far fetched even for a fantasy film and sadly made this viewer absolutely lose interest in whatever Kareena Kapoor had to do in the entire subsequent story.

Watch for huge entertainment of the eyes, not that much for plot or letting go off your emotions while you observe the lethal war between the pure and dark forces of the gaming universe. Do not expect to understand the reason underlying Ra.One's profound wrath either. The point is: Give your eyes a Diwali feast with handsome people on screen and state of the art VFX without asking for much more. Enjoy Ra.One for the phenomenal technological work that went into it and you will be able to say that your ticket was paisa vasool.

Visit the Ra.One official website
Visit the official Ra.One YouTube channel
Follow Ra.One news in Blogger
Purchase Ra.One IPhone/IPad app
Purchase Ra.One soundtrack


Ra.One
Director: Anubhav Sinha
Writers: David Benullo, Kanika Dhillon, Niranjan Iyengar, Shah Rukh Khan, Mushtaq Sheikh, Anubhav Sinha
Cast: Shah Rukh Khan, Kareena Kapoor and Arjun Rampal
Special appearances: Priyanka Chopra, Sanjay Dutt, Rajnikanth, Amitabh Bachchan (voiceover)
Soundtrack: Vishal Dadlani, Shekhar Ravjiani






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MERA BROTHER KI DULHAN or BODYGUARD?





Both films pulled audiences to the ticketsale counters. Both offer solid and modern entertainment this autumn season.









Mere Brother ki Dulhan is a youthful and pacey tale of the search for the perfect modern day liberated bride, incarnated by Laila (Katrina Kaif) who lives to drink and have fun. It is utterly refreshing to see Katrina Kaif as a full-out rebel, even though her acting still requires developing her individual style more as she somehow often seems to emulate other successful actresses of yesterday and today... She is however very commendable in her role and, as a woman, I have to salute her for not being stick thin but still looking fresh and beautiful. Who wants to be size zero, I say indeed? 

The first half of the film will particularly keep the audience focused completely on this modern ladka-meets-ladki tale. Imran is the quintessential young Indian man who learns to appreciate and ends up falling head over heels for an independent and happy-go-lucky girl despite the fact he has actually found her to marry his own brother. The root of the story develops as a long vaudeville with plenty of topsy-turvy ups and downs, including out of the blue references to Chulbul Pandey, Dil Se, other Yash Raj signature films and even Madhubala. The supporting cast also contributes to lending the story its lightness. Ali Zafar tends to remind me of a young Shah Rukh Khan in almost every scene, from mannerisms to voice to comic timing! I therefore somehow do not find it surprising that Yash Raj would indeed support his style..


The second half of the film drags on in a few scenes but all this is forgivable given the good dose of entertainment, fun and seeing both Khan and Kaif together plus a pleasant soundtrack signed Sohail Sen.


Bodyguard is a story that has a different tone and Salman proves yet once again that he certainly can cater to his fan-base fantastically. 
 
 

A joke turns into a trepidating love story in which Kareena Kapoor is not only busy being majestically beautiful in every scene, but also delivers her role very well. From tears to guilt, from fear to love, her eyes convey just the right amount of feeling. 



This said, the man who steals the show is Salman Khan (Lovely Singh), allowing his voice inflexions and body language to flesh out his humble and modest character: a bodyguard  who is, yes, the usual strong nacho man who can fight the world and win, but also an honest man dedicated to his job. In several scenes, his character’s “purity” is disarming. The finesse with which he portrays his character makes him the most convincing I have seen him yet!


Bodyguard is the third remake of  a Malayalam film that goes by same name.I would recommend making a point of not missing these two entertainers, which both are bound to leave you with a pleasant smile. 

Follow Bodyguard on Facebook
Purchase the MBKD soundtrack

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MAUSAM Stolen Moments of Romance

"Mausam"... When I heard the title of Pankaj Kapoor's maiden film, it brought back memories of Mhd. Rafi's "Aaj mausam bada beimaan hai" and therefore images of traditional romantic movies...
Mausam is a love story spanning the four seasons of its hero and heroine's lives: Harry, a Hindu Punjabi boy, and Aayat, a Muslim Kashmiri girl. The first season is that of their encounter as teenagers in a small village of Punjab. As the two fall in love and the audience watches them grow their lives enter season two. The drama and pain of separation makes their love grow deeper as they mature in season three and finally season four sees both lovers come together.
At a time when most male star actors are working on appearing as young as possible and oozing their sex appeal, 6-pack abs, and stunts in action films, Mausam brings back the innocence of youthful romance with Shahid Kapoor who has stepped from being promising to stunningly talented, whether he is conveying naughtiness, reservation or the pain of a lost love.
The film has tender romantic moments such as a boyfriend requesting a phone kiss to his shy girlfriend or a beautiful scene in which the two protagonists exchange silence and written love notes that the girl systematically dips into water, almost as if the fact that ink disappears was irrelevant due to her ability to keep her lover's words deep in her heart. Both Harry and Aayat also have dialogues in which none of them moves their lips, as if they only needed to look at each other to know what the other is thinking. The symbolism and cinematography of Mausam are two clap-worthy elements that make it endearing, despite the criticism that has been made to some of the film's shortcomings.
Script-wise, the first season of the film is splendid, with tight and rhythmic dialogues and good humour, lasting approximately an hour. The subsequent second season also has stolen moments of romantic beauty but the narration seems to be reaching several limits through the lack of transitional moments that would weave the story better and will affect the narrative as a whole in its second part.
While Sonam Kapoor always looks magnificently fresh as a flower in a young girl role, she somehow lacks the scope and depth to portray a more mature woman while her cavalier, Shahid Kapoor, breezes through all seasons with just the right tone, not bothering with his looks and still looking seductive showing off his talent in a way never seen before.
Mausam could have become a classic had it had a bit more restraint in certain areas and developed others (main and side characters and events). Oh if only Pankaj Kapoor could rewrite the last third of the script just before the climax scene and refilm or edit it with a little more tightness, a full little gem would appear on screen.
The film also counts pleasant music composed by Pritam Chakraborty but one regrets that Shreya Ghoshal's beautiful and highly effective rendition of Jaidev's  "Abhi na Jao Chod Kar" is not included in the soundtrack.
Visit the Mausam official website
Purchase the Mausam soundtrack
Mausam
Director: Pankaj Kapoor  
Writer: Pankaj Kapoor  
Cinematography: Binod Pradhan  
Cast:
 Music: Pritam
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