Showing posts with label SWANAND KIRKIRE. Show all posts
Showing posts with label SWANAND KIRKIRE. Show all posts

Masterful Kapoor in BARFI!


Long before Ranbir Kapoor, Ileana D'Cruz and Priyanka Chopra faced a stampede in Bangalore a few days ago, Barfi! had entered my consciousness with its adorable trailer. Having watched it at its release, I have searched my words for several hours and would say that the film does not end when one comes out of the cinema hall. This one stays with you well beyond.

Barfi! is the story of Murphy/Barfi (Ranbir Kapoor) set in 1970's Darjeeling and Calcutta. Barfi is a mischievous and clever deaf-mute youth who falls in love with Shruti (Ileana D'Cruz). While Shruti feels affection for Barfi, she prefers to marry a man approved by her parents. When several years later, Shruti and Barfi meet again, he lives with Jhilmil (Priyanka Chopra), his autistic childhood friend who suddenly goes missing. As Shruti helps Barfi find the girl he now loves, she understands that she has never stopped loving him. Love and the pursuit of happiness are delicately portrayed by all three actors.



Barfi! has it all, starting by its delicate and pacy script, absolutely charming music and lyrics often taking center stage, beautiful cinematography, emotions, excellent comedy and a well sought-out and directed cast. Protagonists and second roles included.


A beautiful Ileana D'Cruz, one of Telugu cinema's leading actresses, is a fine match for Ranbir Kapoor. She looks the part and smoothly takes the plot to emotional places that are difficult to attain for an actor, particularly because she is mostly silent herself when she is with her costar. Priyanka Chopra, completely devoid of her beauty queen aura gives a subdued performance. I still have to find a role in which the actress makes me feel for the character and I do wish she had been given a tad more scope to relate to her, but she is quite commendable in her role. Where most Indian films with protagonists who are mentally or physically challenged struggle with accuracy and sentimentalism, Barfi! does just the opposite. Anurag Basu's writing conveys that "different" does not mean "strange", but simply "human", and that is only one of the elements for which the story should be strongly applauded.



The leading man, Ranbir Kapoor, is absolutely masterful. As I watched him, so many memories of Raj Kapoor's best moments appeared. Ranbir is his grandfather's grandson indeed. Chaplin, Mr. Bean and Georges Valentin (The Artist) all come to mind but are surpassed as the actor creates a character which is even more enchanting and endearing. I have not been moved by a performance in Indian cinema in a long time as I have by this one, in which the actor expresses so many nuances of emotion and life with pitch-perfect histrionics and not a single word! I would fearlessly say that young heroines now have their ideal counterpart in young Ranbir, a man who is good at his craft, is no longer promising or building his career, but has in my honest opinion, reached the start of its peak. May he continue gracing our cinema screens for a very long time.


Love, the true kind, is made of happiness, even when that happiness is not directly ours to own. Barfi! is an ode to that principle and more. Anurag Basu's delicate and humourous watercolour of life's twists and beauties has released and it is cinema not to be missed.

Visit the Barfi! webpage for stills and more information on the film.

BARFI!
Director  and screenplay: Anurag Basu   

Cast
Priyanka Chopra
Ileana D'cruz
Ranbir Kapoor 
Shaurabh Shukla
Rahul Garg
Sumona Chakravarti
Bhola Raja Sapkota
Jishu Sengupta

Producer: Siddharth Roy Kapur and Ronnie Screwvala

Music: Pritam


Read More >>

THE DEWARISTS BRONZE AT CANNES LIONS!

The dewarists.jpeg 

The novel music series THE DEWARISTS by Only Much Louder Entertainment and Babblefish has made Indians proud by being awarded the Bronze Lion at the Cannes 59th International Festival of Creativity for Best non-fiction program, series or film where a client has successfully created a reality, documentary or light entertainment show around a product(s) or brand(s).

"Dewarists" has become a new term to designate those people who believe in passion and things worth doing. "What better language to convey that passion than music, so some things are worth doing", may have thought the young team behind such a successful programme showcasing the best of Indian contemporary music and featuring some of its finest performers, from the cinema world an outside of it.

As Season 1 has already conquered audiences here in India and abroad, we are eagerly awaiting season 2, its renewed passion, new destinations and sounds.

Watch Season 1 of The Dewarists on Youtube

THE DEWARISTS (TV series)

Direction: Vishwesh Krishnamoorthy with Fred & Nick
Theme song: Raghu Dixit
Season episodes: 10
Production: Babble Fish Productions, Only Much Louder
TV Channel: STAR WORLD India
Season 1 run: October 16, 2011 – December 21, 2011

Read More >>

Aamir Khan’s SATYAMEV JAYATE: A Show with a Heart



This Sunday, the Hindi Cinema Blog enjoyed an hour and a half in excellent company. The actor turned TV show-host, Aamir Khan and his guests, graced the household with Khan’s “most ambitious project to date”, television show Satyamev Jayate.

Expectation at Star Plus TV was at its highest as the first episode countdown began since last evening. A permanent announcement being made at the top left-hand corner of their broadcast let India know how many hours, minutes and seconds were left for the final take off. 

Let us imagine… Do you recall Deejay (Rang de Basanti), the rebel who increasingly became aware of his country and wished he could become its voice and touch its people enough to create change from within? How about Ram Shankar Nikumbh (Taare Zameen Par), who wanted each child’s voice to be heard and nurtured? The picture would not be complete without the immensely popular and endearing Rancho (3 Idiots), the inspiring intelligent innocence who moves lives and whom we can all relate to because that is what we each aspire to become. Our imagination can see that all of these characters had a common denominator apart from their will to make the world, or at least India, a better place. That common denominator is Aamir Khan. Things seem to come full circle with Satyamev Jayate.

After many questions from the media and the audience related to what his show’s content would be, the result is an eclectic, pacy, touching and profoundly Indian talk show. A few elements of Satyamev Jayate may have been perceived in USA based talk shows, especially those catering to minorities (early 90s “Cristina” shows, for example) in terms of creating awareness regarding a certain issue or the emotional degree of the content being presented. Aamir Khan’s show however is innovative and deeply different in the sense that its topic, mindset, audience on the set, specialists and even its entertainment style (oh what wonderful music!) are Indian at the very core. Those readers who relate to India or are Indian will understand that this signifies that the show is unique in itself, given India’s inherent singularity.


It is obvious that the show has been the result of considerable work by its team, ranging from research, footage and choice of topic to the carefully written TV host monologue used to present the issue at hand. Moreover, it has been an excellent choice to open the show by targeting a vast audience with the topic of female foeticide, which will inevitably be close to each woman’s heart and to which the male part of the population can also relate to. The time slot selected for broadcasting the show we believe has also been a winning decision. 

But how to present an issue to the audience in only one hour and a half? How can the show be useful to India? The first episode of Satyamev Jayate reflects that these questions were extensively pondered on beforehand and we are happy to be witnesses to that. The show attempts to draw in donations for the cause being presented through Junglee, thereby motivating the audience to act upon what they have been listening to and be useful. We hope other ways of collecting funds have been put in place in other episodes, helping those who do not have resources to donate to possibly win or generate money for the cause. As to the challenge of presenting an issue and its major implications in only one hour and a half, the show succeeds and achieves so through logic (presenting the dangerous consequences of female foeticide) but also through the heart… I have not seen another Indian cinema icon connecting emotionally and genuinely, even if briefly, with his fellow countrymen as much as Aamir Khan. Though guests are interviewed by him for only a very short time, their story is to the point and stirs feelings in he who listens. Satyamev Jayate is a show about feeling. It is a show with a heart. 

Even though this first episode of Satyamev Jayate does not truly show what many expected as a window into India in the shape of a road trip through Bharat, with Khan encountering his fellow countrymen and women throughout the vast wonder of his nation, this blogger has not yet given up in seeing that dream sporadically unfold on screen in subsequent episodes.  Aamir Khan may always be trusted to surprise one and all. The thirteen topics are as many opportunities to unravel delightful surprises.

A final mention goes to the fantastic theme song for the episode. Ram Sampath accompanied Swanand Kirkire in O Ri Chiraiya, one of his best television performances, both due to the beauty of the song and lyrics but also to the perpetual moving quality of his voice.
 


An hour and a half went by without blinking and now the week will have a new mantra until we reach next Sunday: “Hum sach se nazrein hatayen kyon”... 

Watch the full episode with English subtitles below:


Satyamev Jayate airs on StarPlus and DD1 at 11 am IST every Sunday in Hindi, Telugu, Tamil, Malayalam and Kannada 
Learn about Satyamev Jayate on Wikipedia

Read More >>

STRIKER Music Review



Chandan Arora's film strikes music gold, delivering a shiny and novel soundtrack that boasts style consistency despite the fact that its director and lead actor Siddharth chose six different composers to suit the film. Their unconventional bet is to be saluted, as the necessary time and care was taken to make not only a soundtrack for a film but also a rich and enjoyable music album.

Set against 1992 Mumbai, the film is a powerful ode to India's maximum city, the relationship between its various communities and a man's resilience.

Shailendra Bharve and Jeetendra Joshi's 'Cham Cham' is a flawless start to the stimulating listening experience, in which Sonu Nigam skillfully teases our ears with a slow qawwali. Bharve is known for the 'Taare Zameen Par' track 'Mera Jahan' and proves his talent here again, delighting us for a good seven minutes without anyone wanting this track to end, thanks to the song's perfect arrangements and captivating rythm, Joshi's love-heightening lyrics and of course Nigam's incomparable voice.



Amit Trivedi and Prasant Ingole make their appearance next with 'Bombay Bombay'. The catchy song features a cool Siddharth, singing and reciting dialogue lines amid synth loops, percussions and electric guitar. Catch the tune's "making of" by clicking here  or its picturization below if you wish to hear lead actor Siddharth's pleasant voice, particularly if you had not heard him sing in Telugu soundtracks before.



A rugged 'Haq Se', from unstudied vocals down to rap arrangements and even some car horns and Irish-Sufi solos, will have you moving your head to the strong beat. Yuvan Shankar Raja is well known in the Southern film industry for his music and Nitin Raikwar's lyrics duly express the characters' friendship and dreams.


An all-out Swanand Kirkire modern qawwali brings the positive feel I always tend to associate with him with a festive 'Maula'. The track thankfully has Kirkire's husky voice as its messenger, as none other would have been able to make the pacy melody justice, being that he personally composed and wrote lyrics for it. The arrangements give the traditional genre a revamp, making this one of the album's most original tracks.



'Yun Hua' surreptitiously elevates the listener to some forgotten place in between the clouds and the sun. The fluttering romantic track is composed and also performed by Vishal Bhardwaj, who sings Gulzar's delectable lyrics and scats his way to heaven, making this yet another song in which choosing the composer's vocals was the way to go.
 


What had been an all male soundtrack moves into feminine mode with a delicate Sunidhi Chauhan singing 'Pia Saanvara'. Bharve and Joshi join hands once again creating a loungey, gently dissonant and innocent melody beckonning a lady's love to return. (Listen to 'Pia Saanvara' courtesy BollyFM).

The soundtrack ends with one of the best hip-hop reggaeton's I have heard in recent years. Blaaze's potent 'Aim Lagaa' has the right beats, echoes, moans and groans "one by one by one". It mixes in tabla and sitar strings while expressing the leading character's peculiar outlook in rhythmic fashion. Blaaze's close collaboration with AR Rahman has made him known to the audience but he is a true value in himself, mixing influences from all of his various cultural backgrounds (Africa, India, England, USA) and beyond. The song's Rickshaw Mix by DJ Akhtar is another danceable alternative, adding more brass, harmonia and extra female emceeing. (Listen to 'Aim Lagaa' courtesy BollyFM).


'Striker' may have not benefitted from the advantages of large publicity but the rumour doing the rounds in the press is that the film is highly recommended. Its soundtrack is also one that should please listeners from all fronts, which goes to show that doing things off the beaten track sometimes goes a long way.

Watch STRIKER, the full movie, released by Studio 18 on Youtube exclusively for overseas audiences (outside India) for a minimal cost. STRIKER includes English subtitles and other subtitle options. May this initiative feature as an example for wider released Hindi films, which are usually screened overseas much later than in India or not at all.

Album information
Music: Shailendra Bharve, Amit Trivedi, Vishal Bharwaj, Yuvan Shankar Raja, Swanand Kirkire, Blaaze
Lyrics: Swanand Kirkire, Jeetendra Joshi, Gulzar, Prasant Ingole, Nitin Raikwar, Blaaze
Singers: Sonu Nigam, Sunidhi Chauhan, Swanand Kirkire, Vishal Bhardwaj, Yuvan Shankar Raja, Siddharth Narayan
Label: T-series
Tracks: 8 (7 originals + 1 remix)
Album release: 16 Jan 2010
Available on Itunes

Film information
Producer: Chandan Arora
Director: Chandan Arora
Starring: Siddharth, Aditya Pancholi, Ankur Vikal, Anupam Kher, Seema Biswas, Vidya Malvade

Read More >>

SWANAND KIRKIRE SAYS ‘AAL IZZ WELL’!!





A man of many arts, Swanand Kirkire is lyricist, writer, singer and actor. He is behind the freshly delightful song lyrics of Vidhu Vinod Chopra's upcoming release, 3 IDIOTS, starring Aamir Khan, Madhavan and Sharman Joshi. He graciously agreed to tell us more about the songs that are currently winning hearts among film and music buffs across India.




AC: Random question, so what is playing in your Ipod right now?


SK: I am not listening to the 3 Idiots soundtrack obviously because when I was listening to it nobody else was listening to it (laughs). Now the world is listening to it and I am listening to something else like lots of Indian classical music… I am also learning to listen to a lot of Western classical music. Apart from that, my all time favorites are R.D. Burman, Gulzar sahab songs, and that kind of music is well, like… my food!




AC: You have repeatedly worked with Shantanu Moitra and Rajkumar Hirani. Please tell us a bit about what makes you feel comfortable working with them and how you came to be a team.


SK: The association with Shantanu and Raju (Rajkumar Hirani) is old now, with Vinu Vinod Chopra too, for that matter. We really go a long way. I've done four films with them. This is my second film with Raju and my fourth with Vinod Chopra. If you see our filmography, it is me and Shantanu. Lage Raho Munna Bhai we did it with Raju.


We are mostly friends, we're likeminded, we like each other's space… and unlike all the Bollywood "whatever happens" (philosophy) we were involved in this film right from the script level. When (Raju) was writing the script, we were making songs, we were trying to find the sound of the film. So that is how 'Give Me Some Sunshine' came much before he started writing the script. Raju wanted something exclusively for that film and if you listen, all the songs are very musically and lyrically simple. We did not try to make them complicated at all, we wanted to keep them very college like, easy for any college student, just as they play guitar at college and come up with some tunes.




AC: What would you say each of the singers apart from yourself have brought to the 3 Idiots soundtrack?


SK: All are wonderful singers! They brought a lot of things to the soundtrack. See the song 'Jaane Nahin Denge', no one else but Sonu can sing it, no one else. It is a very high and low song, the amount of passion reaches that high and then comes really down also at the same time. Shreya is also an awesome and fantastic singer. Shaan… well I mean their contribution is amazing and takes everything beyond. For a lyricist like me, the biggest moment is to hear (them sing), because we write a song on pen and paper, the music composer sings it with you and a guitar, then it goes to a recording… but the final moment when the singer is singing… that's a magic moment because the singer is transforming (the song) into something else, into a piece of art that becomes complete at that point of time. Sonu and all, they really made me cry.




AC: How would you say the experience of making this soundtrack is fundamentally different from your past soundtracks?


SK: It is very different. If you listen to 'Parineeta' the words are a little more lyrical and Lage Raho Munna Bhai was more Bombay tapori. In 'Khoya Khoya Chand' I was doing much more Urdu poetry because (the movie) was about the 50s or 60s Hindi film industry. That is something that I am trying to achieve in my life: you should change your clothes according to the film or the script. '3 Idiots' songs are very casual and are straight from the heart. There is no ornamentation or poetic smartness. In them if you have to say something you say it, it does not matter if you say it in English, Marathi or whatever. The songs get the point straight with as minimum possible and there is no concern about the language. There is not much decorative poetry but there are philosophy lines in it. 'Aal izz well' is a philosophy.




AC: How did you come up with the 'Aal Izz Well' theme for the title song? Was its fun spelling already a part of the script?


SK: 'Aal izz well' was in the script. It is a big idea of the film itself. Aamir (Khan) says it to everybody, whenever you are going through a bad time… Basically, Raju as a child used to live in a smaller town and there used to be this colonial watchman who used to say 'Aaaaal izzzz well!' in the night. So what used to happen is kids would think 'if all is well, let's go to sleep', and everything was well, you know (laughs). So that is the theory of the film. Whenever you are in a bad time, just tell your heart that 'aal izz well'. It is written as the colloquial pronunciation (proceeds to tutor the foreign interviewer into how to pronounce it properly). Aal izz well!




AC: We know Sharman Joshi's voice is used in 'Give me some Sunshine'. Did the director, producer and/or actors contribute to the soundtrack? How?


SK: The best part about working with Rajkumar Hirani, Vidhu Vinod Chopra and everybody is that it is a team effort. We decide on the songs and lyrics. There were contributions from here and there all the time. In 'Give me some sunshine', Shantanu almost wrote all the English part.




AC: Tell us a bit about Sonu's interpretation of your lyrics in "Jaane Nahin Denge".


SK: He is really amazing and he did a great a job. He understood the particular situation in the film and he heard it once and said 'I need some time to prepare'. He took his own time, about half an hour or 45 minutes, locked himself in a dark studio room and asked all of us to go out and then he came in and he sang. Sonu is always like that, he is technically the best singer we've ever had.




AC: Was there any personal experience that inspired you to write 'Behti Hawa Sa Tha Woh'?


SK: It came very naturally when they told me the situation (in the film). There are people in your life who live life really beautifully and happily. They do not compromise at any level and just do whatever their heart says is right. They don't follow stupid norms. So I had some people like those in my mind and actually it came very easily to me because I was comparing myself with them. Because of them I became another idiot (laughs).




AC: Are there any new soundtracks in the pipeline?


SK: The 'Paa' soundtrack has released. That was another kind of experience, different songs completely. It is on the market and on the Internet and the film is releasing on the 3rd of December. There are also two or three other films but it is early to talk about them now.


Interview by Aline Cinehindi in collaboration with JoannaCh


3 IDIOTS releases on 25 December 2009




For more lyrics by Swanand Kirkire, check out the following soundtracks:


Paa


Laaga Chunari Mein Daag


Eklavya: The Royal Guard


Khoya Khoya Chand


Lage Raho Munna Bhai


Jai Santoshi Maa


Sehar


Kal- Yesterday & Tomorrow


Parineeta


Hazaaron Khwaishein Aisi






Read More >>

3 IDIOTS SOUNDTRACK REVIEW

Composer Shantanu Moitra and lyricist Swanand Kirkire (of 'Parineeta' and 'Lage Raho Munna Bhai' fame) are making a comeback with a jovial bang!


Unconventionally entertaining. Authentic. Endearing.


These are expressions that one associates with Rajkumar Hirani's films and currently extend to the 3 Idiots soundtrack. The carefree and down to earth album takes listeners on a journey to merry college days and the memory of friends that matter.

A sunny day kicks off with an early rising rooster and a waking melody in which students express their wonderful philosophy statement: Yes indeed bhaiyya, 'Aal Izz Well'! Guitars and a myriad of percussions join cheerful campus voices repeating a catchy "doom kechiketa yeah" or similar youthfully rhythmic jabber, whistling all your worries away in 4 and a half minutes flat!


(Videos posted here are available in higher quality in Aamir Khan's official Facebook fan page.)



Next comes one of the soundtrack's moments of genius with a sparkling 'Zoobi Doobi', a gypsy-jazz style swing. Sonu's dash accompanies Shreya's pizzazz along with a brass section, strings and accordion. The picturization of this promo song is doing the rounds on the Internet, featuring everyone's dream girl and boy, Kareena Kapoor and Aamir Khan. The tune is likely to stick with you once you happily lap up its upbeat spiral of sweet lyrics and easygoing rhythm.



'Behti Hawa Sa Tha Woh' is a soft melody with a slight mantra-like feel that allows its nostalgic lyrics to seep in. Shaan's stirring vocals shine fully in this ode to life-changing friendships that are long gone, making this one of his best tracks up to date.



The remaining two songs may initially surprise a trained listener and non Hindi speakers may want to enjoy them to the fullest by reading the lyrics translations*. The fact is that Hindi film soundtracks tend to often put aside the situational power of their songs, given that the commercial value of the music must guarantee box office success. 3 Idiots is an album with a difference that chooses to place an unconventional bet ("no risk… no brain"!): its tunes sound catchy or moving but remain authentic enough to seamlessly fulfill their cinematic purpose.



A good example of this choice is 'Give Me Some Sunshine'. Soft piano droplets give way to a peppy college anthem that could be sung by any generation of graduates. Unsophisticated vocals, clapping and harmonica notes spruce up the simple chords, making this a perfect song for student parties and sleepless dorm nights with your best friends. Incidental film monologues delivered by Sharman Joshi give the tune its extra feel good quotient.



An almost unrecognizable Sonu Nigam finalizes the album with 'Jaane Nahin Denge', boasting a high command of emotional variations. The instrumentals and his voice echo soft ripples of resolve that intermittently fluctuate into waves of life-infusing arguments. The song's last note leaves the listener in a quiet and sustained bedazzlement.

It then dawns on us that naughty or nice, Christmas will deliver us a soulful and thought provoking film, brilliantly presented in a light and entertaining envelope. Not surprising coming from director Rajkumar Hirani, who has the art and science of blending these elements to create bewitching magical potions.

Get ready to greet Santa Claus saying "Sab thik thak... Aal izz well, chachu!"








Outside links

* Bollywood Hungama video interview with Shantanu Moitra, Swanand Kirkire and Rajkumar Hirani Part 1 and Part 2

* Buzz18's footage of the online 3 Idiots music release

* 3 Idiots official website (music samples in the canteen)

* Pre-release lyrics translations by Ashu and more lyrics translations by TheBollywoodFan.



Album information
Music: Shantanu Moitra
Lyrics: Swanand Kirkire
Singers: Sonu Nigam, Shreya Ghoshal, Shaan, Swanand Kirkire, Shantanu Moitra, Suraj Jaggan, Sharman Joshi
Label: T-series
Tracks: 7 (5 originals + 2 remixes)
Album release: 09 Nov 2009
Available on Itunes

Film information
Producer: Vidhu Vinod Chopra
Director: Rajkumar Hirani
Starring: Aamir Khan, Sharman Joshi, R Madhavan, Kareena Kapoor, Boman Irani, Mona Singh, Parikshit Sahani, Javed Jaffrey





Read More >>