Showing posts with label MADHAVAN. Show all posts
Showing posts with label MADHAVAN. Show all posts

Unforgettable RANG DE BASANTI: A Retrospective Review


Forget mainstream Bollywood, forget candy floss, forget boy-chases-girl-chases-boy around trees... As adorable as regular fare from our favorites at Film City may be, 'Rang de Basanti' takes each and every member of the audience on a totally different ride and upon each viewing I say:

YEH CINEMA HAI, baby!

Last week, Rakeysh Omprakash Mehra's groundbreaking film was screened before its cast and crew in honour of its 5th anniversary (26th January). Several fans of the film across the world also celebrated the occasion by parking the RDB dvd in their drives that week and I am happy to have joined them.. There is a saying that claims "there is no place like home" and that is exactly how I felt as I re-watched one of my all-time favorite films, not only from India, but from around the world. Yes. This is a film I bought several times in order to distribute copies to friends and of course purchased the special edition with a "gem disk" that features Mehra's ultimate commentary. I could never get enough of it!

For those readers who are Hindi cinema newbies and therefore not familiar with what all this justified fuss is about, a brief synopsis follows the trailer below (purple text).


Sue (Alice Patten), a young film maker from London sets to shoot a film about India's freedom fighters based on her grandfather's diary (a British jailor in India during the pre-independence struggle). She hence flies to Delhi and finds whom she believes are the 6 perfect actors for her film. After hesitatingly accepting to participate in it, all 6 youngsters embark on an awakening journey that will shift their view of their country and will make them act upon it together in order to change a corrupt status quo.

I would personally have wanted to be a tiny mouse under Mehra's chair perking my ears up by listening while he narrated his script to one and the other before he finalised his cast. How he produced such a fantastic ensemble of actors remains astonishing to me: impressive Soha Ali Khan, Southern Indian stars R. Madhavan and Siddharth, extremely talented Atul Kulkarni and Sharman Joshi, superstar Aamir Khan, a very dedicated Kunal Kapoor, a highly convincing Alice Patten and mature secondary actors such as Om Puri, Lekh Tandon, Kirron and Anupam Kher as well as yesteryear belle Waheeda Rehman. Six of these actors were given substantious roles that cannot be substracted from the plot, making each and every one of them essential for the story to take place.


Casting was not the only merit. 'Rang de Basanti' masterfully merges two stories that end up generating an intricate climax that is heavy with purpose. The film compares India under the British rule to contemporary India, governed by corrupt politicians, while also placing a finger upon what the youth of India can do to make today's situation progress. I wonder if anyone before Rakeysh Mehra had pulled off a film in India with such a statement and without reeking of  overdone or preachy nationalism.

The writers successfully gift us a story about:
* college friendships,
* a brief close-up on the strength of India's freedom fighters,
* a critique on fundamentalism, 
* a view of the consequences of taking justice into one's own hands,
* sound advice inviting the youth to become involved in their country and to transform it from the inside out.

Other directors / screenplay writers would have gone haywire with so many meaningful things to say in solely one film but this is not so with Mehra and his team, who succeeded not only in getting these messages across but also in keeping the audience engaged until the end of the film, with a climax one could have rarely predicted.


The climax was indeed a surprise and for many audience members remained a mystery or a drawback. In its defence, I would say that the writers gave us two possible endings in one film, which I personally find to be a very intelligent approach. It somehow reminds me of those books some of us read during our childhood called "Choose your Own Adventure", where depending on the reader's choice of action upon ending a chapter, he/she advances to page X or to page Y. I remember sometimes "cheating" out of curiosity and reading both pages X and Y! Well, this is more or less what happens with the ending of  'Rang de Basanti'. One gets a glimpse of two possibilities, both of them actually make up the climax in its totality, and the director leaves the audience to sift through it all and to choose which was the best option.

The stellar performances, fresh aesthetics and original script with tight dialogues give us a taste of college and help us penetrate the coming of age of  Indian youth in a subtle but bold and humanistic manner. My brain was reeling after I watched RDB for the first couple of times and I would venture to say that the film could apply to the youth of many a country in this planet, which makes for a grand international appeal. Last but not least, a stupendous soundtrack by AR Rahman peppers the film's situations and blends into the images with natural and tasteful ease.


All of this makes 'Rang de Basanti' sound like a very deep and serious film. It is certainly deep, but its master stroke is to also be highly entertaining.
In the end, after having us experience lighthearted fun and making us follow the film's characters through thick and thin, Mehra seems to say to critical souls "Stop whining... think... now take action!". And we, besotted with the film, are bound to keep listening.


RANG DE BASANTI (Colour me Saffron)
Director: Rakeysh Omprakash Mehra
Screenplay, story, dialogues: Rakeysh Omprakash Mehra, Renzil D'Silva, Kamlesh Pandey, Prasoon Joshi
Cast: Aamir Khan, Siddharth, Sharman Joshi, Kunal Kapoor, Atul Kulkarni, Alice Patten, Soha Ali Khan, Madhavan, Waheeda Rehman, Anupam Kher, Kirron Kher, Om Puri, Lekh Tandon
Production:  Adam Bohling, Rakeysh Omprakash Mehra, Guruprasad M., Shyam P.S., David Reid, Ronnie Screwvala
Music: AR Rahman

Rang de Basanti in Wikipedia
Buy Rang De Basanti music on Itunes


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An International Take on 3 IDIOTS




3 Idiots is Rajkumar Hirani’s newest directorial venture and has become the biggest grosser in the history of Indian cinema in a matter of days after its release. The 3 members of our international film review team at the Hindi Cinema blog have watched the film in each of their respective locations around the world and are eager to give their take on it to you, our readers. Given that they are known to interrupt each other constantly, they have roped in journalist Woogie McFinklestein, correspondent for “Idiots Weekly Magazine”, to try and collect their opinions in the form of a civilized interview. Let us see if he succeeds.

 Warning: This interview contains spoilers.



What was your reaction upon seeing “3 idiots” for the first time?

Joanna: I had the biggest goofy grin on my face!

Aline: You look like that all the time, Joanna.

Joanna: Well, bigger and goofier! I wanted to immediately walk back up to the box office and buy tickets for the next show.

Pushker: I thought: “Brilliant! Enchanting! Lively! Got to go back again!"

Aline: I wanted to shout "I am an Idiot!" and then tell bystanders: "aal izz well, aal izz well" and take pictures of them all with their astonished faces, advising them to chase excellence and make viruses happy.


Did any part of the story make you cry?

Pushker: I don’t cry! What kind of question is this?

Aline: Pushker, weren’t you crying a minute ago screaming “I don’t want to give an interview!”? We had to pull you through that door…

Pushker: That was not me. That must have been Joanna who has a bad hair day.

Joanna: My hair is fine thank you and says hi!

Pushker: Well, to tell you the truth, my heart skipped a few beats and I got a lump in my throat when Raju's mother visits the hospital in her new sari.

Joanna: Honestly, I didn’t cry the first time I saw the film. However, upon second viewing I also cried during the sari scene and when Virus gifts Rancho his pen (gets weepy). See? I am getting emotional all over again, let me find my handkerchief.

Aline: I cried during several scenes and got goosebumps on Joy’s final scene but was mainly moved by the baby delivery one and entirely wept my way through it...

Joanna: Aline, seriously? You didn’t think it was a bit…filmy?

Aline: To me, if the whole film had not worked for me but there was still this one great scene, I would recommend watching the whole film just for that.

Joanna: (Blows her nose) If Rancho was coming at me with that home-made vacuum contraption, I wouldn’t just cry…I’d scream in horror! (Pushker leaves the room).



What made you laugh?

Aline: So many parts of the film were a riot! Rancho’s first appearance, the exam paper mixup and…

Joanna: I loved the scene where Pia (Kareena) compared the names of Gujarati foods to missiles. "Bush just dropped two Dhoklas on Iraq....." That was a great piece of writing and she delivered it well.

Aline: …the machine definition scene and the urn scene will become classics. So many to choose from! It is an extremely well written script. I was also itching to dance to Zoobi Doobi. Such a fun and sweet depiction!

Joanna: I keep getting interrupted, I wasn’t done with my list of fun scenes.

Aline: You interrupted me first.

Pushker: (back in the room, hands a hairbrush to Joanna) Here Joanna. Better hair means better mood.


Now, do you think Aamir Khan was really able to convince the audience to forget his true age?

Pushker: Age? What age? My wife and both my daughters wouldn’t mind going out on a date with him!

Joanna: They aren't the only ones. (Everyone looks at her.) I mean my friend...you don't know her. She lives in Utah.

Aline: Sure, Joanna. We believe you (winks at Pushker.) It was quite something to see Aamir with such an innocent look on his face. Even his voice sounded younger, to such a point that I forgot it was actually him.




Is there one particular scene that…

Joanna: Hey wait, I haven’t answered the question yet!


Well yes, but…

Joanna: Aamir Khan was brilliant. I think a lot of it comes from who he really is at his core. I’m so happy that he still seems to have a deep connection to his inner child.


Fine. So… is there one particular scene that defines the film?

Aline: Apart from all the moments in which Rancho thinks out of the box, which I think was the whole point of the film, I would say the birth scene.

Joanna: Not again! (Leans back against the chair and rolls her eyes.)

Aline: It has all of the power of Rancho's "aal izz well" in it and then... I always marvel at watching a birth, even fictional.

Pushker: That is too sentimental, Aline! I personally feel the scene that made it for me was the “Balatkar” speech. I was falling off my seat with laughter, like the rest of the audience.

Joanna: Silencer! (Laughs)



But guys, for me, it was more of a sequence than a single scene, beginning with the main suicide attempt and ending with a forgiving father. These were to me the crux of the statement that the director was trying to make. It was the lowest of lows, and the highest of highs. What do you think?

Aline: Did he just answer the question for us?

Pushker: It is the “Balatkar” speech yaar, what are you talking about!

Joanna: (upset) Hey Mr. McFinklestein, no offense, but you are here to interview us and now I have no answer because you just took the words right out of my mouth!

Sorry.

Joanna: What sort of an interview is this? I refuse to be a part of it. (storms out of the room.)

(Aline and Pushker shrug)


What other character apart from Rancho stands out in the film?

Pushker and Aline: Chathur!

Aline: And Virus. He was a wonderful creation and it had outstanding work by Boman Irani.

Joanna: (screams from the neighboring room): Rajuuuuu!



Describe the message you took home from "3 Idiots."

Pushker: Much more than a comedy, “3 Idiots” asks questions and gives insight to the basic need of self realization, opening up the human mind and reaching out to the natural instinct of growth.

Aline: How am I ever going to give a better definition than that? This is unfair! (leaves the room, crossing Joanna at the doorway, who was on her way back).


Can you get her (Aline) back here?

Joanna: No. I can’t stand her today.

Pushker: Let her be.


You people keep leaving the room! I am determined to win my challenge of keeping you all together throughout the interview. Go get her! (bangs his fist on the table) Now!

(Pushker leaves his chair and heads to the neighboring room. He reappears grudgingly pulling Aline behind him. Aline is leafing a book).

Aline: I have a quote to summarize the film message! “Give me a smart idiot over a stupid genius any day”!*

Joanna: So which one are you, Aline, stupid or idiot?

Aline: The film also says that we need to fool our hearts to think positive when dealing with difficult situations and people (gives Joanna a dark stare).


Do you want to add anything?

Aline: We all would like to say that Rancho made us think of a grown up Ishaan**… Right guys? And that I found even the background music really good.

Joanna: The film is also very well cast. Everyone including the secondary roles did an excellent job.



Just one last question, how would you rate the film?

Joanna: Ok guys, ready? 1… 2… 3!

All: AAL IZZ WELL!


It seems as if Woogie McFinklestein has succeeded in making these 3 international idiots remain friends during an entire interview (phew!). Check out the video in which they pay homage to the way 3 Idiots was promoted before its release, featuring an incognito Aamir Khan (Rancho) travelling throughout India. Did these three reviewers and budding investigators manage to find him before the film's premiere? Find out here! 

* Original phrase by Samuel Goldwyn.

** The name "Ishaan" makes reference to Ishaan Awasthi, the main character of Aamir Khan's acclaimed film ‘Taare Zameen Par’.

 
Film: 3 Idiots
Director: Rajkumar Hirani
Genre: Comedy
Cast: Aamir Khan, Sharman Joshi, R Madhavan, Kareena Kapoor
Producer: Vidu Vinod Chopra
Duration: 2 hours 50 minutes

Rating: 5*


Buy Music Album from Itunes store
3 Idiots lyrics translations by Ashu










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3 IDIOTS SOUNDTRACK REVIEW

Composer Shantanu Moitra and lyricist Swanand Kirkire (of 'Parineeta' and 'Lage Raho Munna Bhai' fame) are making a comeback with a jovial bang!


Unconventionally entertaining. Authentic. Endearing.


These are expressions that one associates with Rajkumar Hirani's films and currently extend to the 3 Idiots soundtrack. The carefree and down to earth album takes listeners on a journey to merry college days and the memory of friends that matter.

A sunny day kicks off with an early rising rooster and a waking melody in which students express their wonderful philosophy statement: Yes indeed bhaiyya, 'Aal Izz Well'! Guitars and a myriad of percussions join cheerful campus voices repeating a catchy "doom kechiketa yeah" or similar youthfully rhythmic jabber, whistling all your worries away in 4 and a half minutes flat!


(Videos posted here are available in higher quality in Aamir Khan's official Facebook fan page.)



Next comes one of the soundtrack's moments of genius with a sparkling 'Zoobi Doobi', a gypsy-jazz style swing. Sonu's dash accompanies Shreya's pizzazz along with a brass section, strings and accordion. The picturization of this promo song is doing the rounds on the Internet, featuring everyone's dream girl and boy, Kareena Kapoor and Aamir Khan. The tune is likely to stick with you once you happily lap up its upbeat spiral of sweet lyrics and easygoing rhythm.



'Behti Hawa Sa Tha Woh' is a soft melody with a slight mantra-like feel that allows its nostalgic lyrics to seep in. Shaan's stirring vocals shine fully in this ode to life-changing friendships that are long gone, making this one of his best tracks up to date.



The remaining two songs may initially surprise a trained listener and non Hindi speakers may want to enjoy them to the fullest by reading the lyrics translations*. The fact is that Hindi film soundtracks tend to often put aside the situational power of their songs, given that the commercial value of the music must guarantee box office success. 3 Idiots is an album with a difference that chooses to place an unconventional bet ("no risk… no brain"!): its tunes sound catchy or moving but remain authentic enough to seamlessly fulfill their cinematic purpose.



A good example of this choice is 'Give Me Some Sunshine'. Soft piano droplets give way to a peppy college anthem that could be sung by any generation of graduates. Unsophisticated vocals, clapping and harmonica notes spruce up the simple chords, making this a perfect song for student parties and sleepless dorm nights with your best friends. Incidental film monologues delivered by Sharman Joshi give the tune its extra feel good quotient.



An almost unrecognizable Sonu Nigam finalizes the album with 'Jaane Nahin Denge', boasting a high command of emotional variations. The instrumentals and his voice echo soft ripples of resolve that intermittently fluctuate into waves of life-infusing arguments. The song's last note leaves the listener in a quiet and sustained bedazzlement.

It then dawns on us that naughty or nice, Christmas will deliver us a soulful and thought provoking film, brilliantly presented in a light and entertaining envelope. Not surprising coming from director Rajkumar Hirani, who has the art and science of blending these elements to create bewitching magical potions.

Get ready to greet Santa Claus saying "Sab thik thak... Aal izz well, chachu!"








Outside links

* Bollywood Hungama video interview with Shantanu Moitra, Swanand Kirkire and Rajkumar Hirani Part 1 and Part 2

* Buzz18's footage of the online 3 Idiots music release

* 3 Idiots official website (music samples in the canteen)

* Pre-release lyrics translations by Ashu and more lyrics translations by TheBollywoodFan.



Album information
Music: Shantanu Moitra
Lyrics: Swanand Kirkire
Singers: Sonu Nigam, Shreya Ghoshal, Shaan, Swanand Kirkire, Shantanu Moitra, Suraj Jaggan, Sharman Joshi
Label: T-series
Tracks: 7 (5 originals + 2 remixes)
Album release: 09 Nov 2009
Available on Itunes

Film information
Producer: Vidhu Vinod Chopra
Director: Rajkumar Hirani
Starring: Aamir Khan, Sharman Joshi, R Madhavan, Kareena Kapoor, Boman Irani, Mona Singh, Parikshit Sahani, Javed Jaffrey





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