Pregnancy is a kind of miracle. Especially so in that, it proves that a man and woman can conspire to force God to create a new soul. Every child born into the world is a new thought of God, an ever-fresh and radiant possibility.
Holi is a festival of colours. It is an inseparable part of Indian culture, Bollywood never misses a chance to infuse the ‘Holi factor’ in the form of dance numbers with stars going footloose and crazy. The first song of Holi was from the 1931 film ‘Ghar Ki Laxmi’. The Mukhdaa of the song goes like – “Mo Pe Daar Gayo Saari Rang Rang Ki Gaagar, Kaisa Dhokha Diya. . .”. This and many other songs of that era are now lost.
In this blog, I have selected the great Holi Songs of Bollywood starting from the 1940s to the 2020s. This year we might be stuck indoors due to Covid 19, we can enjoy this year's Holi with the song of every decade.
.I present a song from this very first decade of Hindi films – a song from the film ‘Aurat’ from 1940. ‘Aurat’ is a magnum opus by producer-director Mehboob, a much-celebrated film of its era.
.
The saxophone is a wind instrument but it was a very versatile instrument excessively used in Hindi Songs of the 60s and 70s. Composers of that era have used it effectively to convey many moods with Saxophone. Before it came on the scene, other wind instruments like Trumpet or Clarinet were in use. These instruments could convey the primary emotion in the song but the Saxophone could convey many moods of a song.
Manohari Singh is known as the first Saxophone player of Bollywood, but as per him Ram Singh was the first Saxophonist who played a few songs in the early 50s but after his death in the early 50s, composers stopped using Saxophone in their songs. It was in the late 50s when Manohari Singh arrived in Bombay from Kolkatta.
His first break in the Hindi film industry was in 1958 with Sachin Dev Burman, as a saxophonist for the movie Sitaron Se Aage. He went on to play with many other music directors, his strongest association being with R.D. Burman, for whom he played the saxophone in many compositions. In addition to playing the alto saxophone,
In this blog, I have selected a few songs in which Saxophone played beautifully. These songs are mostly from the 60s and early 70s. The first song that gave him popularity was from the 1959 film Satta Bazar composed by Kalyanji Anandji
Today on the occasion of Basant Panchmi, I write this blog to worship the Goddess Saraswati, the Hindu goddess of knowledge, music, art, speech, wisdom, and learning. One of the most famous festivals associated with Goddess Saraswati is the Hindu festival of Vasant Panchami. On this day, Goddess Saraswati is worshipped in schools, colleges, educational institutes as well as in institutes associated with music and dance.
The first film on this season was released in 1942 'Basant' starring Mumtaz Shanti and Ulhas. Madhubala also acted in this film as a child artist( Baby Mumtaz). It was major box office success and the highest-grossing film of 1942. Fourteen years later another film 'Basant Bahar' was released, starring Bharat Bhushan and Nimmi. The highlight of this film was its music, scored by Shankar Jaikishan.
Basant is also called Rituraj, the king of all seasons and in Urdu is called Jashn-E-Baharaan or in short Bahaar. Many lyricists have used 'Bahaar' for this season. Let's look into a few of these songs. The first song I have selected from the 1942 film Basant
Yesterday the annual budget for the country was presented in the Parliament. this inspired me to write a blog on how the Hindi cinema’s lyricists see the power of money and its importance. P L Santoshi in the 1950 film 'Sargam' wrote ' Baap Bada Na Bhaiya, Sabse Bada Rupaiya' which 25 years later Mehmood sang the same Mukhda in the 1976 film 'Sab Se Bada Rupaiya'
In 1951 film 'Hamari Shaan', the lyricist Anjum Jaipuri wrote' Damdi Damdi Paisa Paisa Jod Mar Jaate Hain Kanjooson Ka Maal Aakhir Mein Doctor Hi Khate Hain'. In 1957 the lyricist Rajendra Krishan wrote 'Pehle Paisa Phir Bhagwan' in 'Miss Marry' In 1960 film Kala Bazar lyricist Shailendra writes 'Teri Dhum Har Kahin, Tujh Sa Yaar Koi Nahin' picturized on Dev Anand.
Here are a few songs from Hindi films that speak of money and its various hues since the 40s.
Whistling is an art, it is being a part of Bollywood songs since the 30s. Many memorable songs have a whistle the highlight of those songs. Whistling is being used in prelude or interlude in many songs. As a matter of fact, whistling was quite a vogue in most of the Dev Anand films
How whistling can make a career is a perfect example to Nagesh Surve who for the first time whistled in Julie After that he never looked back. Having whistled in over 1,500 Hindi film songs, Surve became Hindi film industry's chief whistler, collaborating with top-notch music directors, right from Lakshmikant-Pyarelal and Shankarlal-Jaikishan to Shankar-Ehsaan-Loy and Pritam.
Nagesh Surve was a musician, he plays the violin, he was a member of Shankar Jaikishan orchestra but this art was used by Kanu Roy, music composer in Hindi and Bengali films for the first time in 1973 film Avishkar. Later Rajesh Roshan used his whistling in the song of Julie 1975.
Dev Anand had the image of the evergreen, romantic hero. There was a time when his flirtatious, boyish charm and songs set to the mood of the nation. His eyes and Body language brought life to the songs he sang on screen are still fresh on our mind.
In this blog, I have selected a few conversational songs of Dev Anand starting from his first hit film Ziddi(1948), 'Yeh Kaun Aaya Re' sung by Kishore Kumar and Lata Mangeshkar, picturized on him and Kamini Kaushal.