Showing posts with label INDIAN MOVIES. Show all posts
Showing posts with label INDIAN MOVIES. Show all posts

TORONTO TIFF does it again: INDIAN PREMIERES

Still from Ship of Theseus by Anand Ghandi
Next September's Toronto International Film Festival 2012 is again interested in what happens in this side of the cinema world. Voicing its approval of contemporary Indian cinema by adopting Bombay as its Spotlight City for the festival's "City to City" programmes, this year's TIFF showcases ten new films from Bombay. Several of these releases are world premieres while some will be North American premieres. The lineup is:


Gangs of Wasseypur – Part One and Part Two  by Anurag Kashyap
Starring Manoj Bajpayee, Richa Chadda and Reema Sen.
While Part One of Anurag Kashyap’s much awaited gangster saga has premiered in Cannes and New York, Toronto will see Part Two as a North American premiere. Gangs of Wasseypur tells the story of a bloody war between two mafia clans at the time of India's struggle towards independence. Indian audiences are eagerly expecting its release next week while its trailer does the rounds of several TV channels.

Ship of Theseus by Anand Gandhi
Starring Aida El-Kashef, Sohum Shah and Neeraj Kabi
Another debut feature film is delivered by the hands of Anand Gandhi, who has received great applause as a playwright. Gandhi opens a window into the lives of three Mumbaikars: a monk, a blind photographer and a stockbroker with a heightened sense of justice.

Miss Lovely by Ashim Ahluwalia  
Starring Nawazuddin Siddiqui, Niharika Singh and Anil George
Deep, dark, dramatic. Miss Lovely depicts the sex-horror film industry of  Bombay's 1980s. Cinematography, casting and the unusual choice of topic make it an interesting and intriguing option, apart from the fact that it was very well received in Cannes and that it stars an excellent actor such as Nawazzudin Siddiqui (who also stars in Kashyap's Gangs of Wasseypur).


Shanghai by Dibakar Banerjee
Starring Abhay Deol and Kalki Koechlin
Through an adaptation of Vassilis Vassilikos' Z, the director of Love Sex aur Dhokla delivers a paced and exciting political drama.   

Shahid by Hansal Mehta 
Starring Raj Kumar, Prabhleen Sandhu and Baljinder Kaur.
Shahid revisits the life of lawyer Shahid Azmi, who was murdered in 2010 after being involved in the defense of human rights. A fascinating story of a young Muslim boy who became a symbol later in his life.


Mumbai Cha Raja by Manjeet Singh 
Starring Rahul Bairagi, Arbaaz Khan and Tejas Parvatkar.
Young Rahul and Arbaaz live in the streets of Bombay finding ways to make their existence more tolerable while Rahul searches a way to reclaim his dignity by "taking care" of his violent father.

Peddlers by Vasan Bala 
Starring Gulshan Devaiah and Siddharth Mennon.
A directorial debut for Vasan Bala, Peddlers is a pulsating thriller that brings together the lives of three improbable characters in Bombay's underworld. 

Ishaqzaade by Habib Faisal 
Starring Arjun Kapoor and Parineeti Chopra
Action with a quirky edge, the love story between both protagonists has won accolades for delivering a different mainstream film.

The Bright Day by Mohit Takalkar 
Starring Mohan Agashe, Radhika Apte and Shernaz Patel
Following the spiritual journey of a young man across India, images tell a soul's coming of age.

Consult the TIFF City to City programme 2012 for more information.
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100 YEARS OF INDIAN CINEMA


Indian Cinema... the idea of it and its reality are alike India, a vast palette of styles, languages, sensibilities, heroes and heroines. When the Lumiere brothers' short films were screened for the first time at the Watson Hotel in Bombay in 1896, how many audience members would have dreamt of what was to become the most prolific movie industry in the world?


As Indian Cinema enters a new century of history, we cannot help but celebrate! On this same day (April 21) in the year 1913, Dadasaheb Phalke saw his Raja Harishchandra screened at the Olympia Theatre in Bombay, marking the first time a full-length feature film made in India would be shown to an Indian audience.

Indian cinema remains difficult to grasp or define in a single sentence. Ranging from silent films to black and white or colorized versions of timeless classics to the current multiplex blockbusters, what remains constant is the will to entertain. Directors have created formulaic or avant-garde plots for the benefit of the audiences for almost a century.

Let's celebrate and smile to many more centuries of Indian entertainment!

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